I’m asking the Capitol Commission and the Tennessee Historical Commission to please consider the implications of how hurtful it would be to continue fighting for these monuments. When you fight to honor racists, you show black Tennesseans and all of their allies where you stand, and you continue this cycle of hurt. You can’t change history, but you can change this.

Black Lives Matter #BlackoutTuesday

Stoked to relive our Paris show tonight when the City of Lover concert airs at 10pm ET/ 9pm CT on @abcnetwork - then tomorrow on @hulu and @disneyplus It was the best album release party I could’ve wished for ✨ love you guys

when you’re proud of your buns so you post them on the internet

My conversations with my mom have always been and will always be some of my favorite memories - from when I was 10 months old in this video from October 1990 to now talking every day on the phone. Our talks are everything to me. Myyyyyyyy goodness I love you Mom. Happy Mother’s Day. PS for those of you who are separated from your loved ones or struggling with this day, my heart is with you

biiig isolation

Not a lot going on at the moment

It’s National Siblings Day! My brother @austinkingsleyswift is one of my best pals, and I’m really proud of him because he’s in a film that came out today called We Summon The Darkness (which he also co-produced). Photo by Gigi. My facial expression by 3 glasses of wine. #nationalsiblingsday

While we’re looking for things to do at home, I thought it’d be fun to share behind the scenes of my dad’s acting debut.

For Meredith, self quarantining is a way of life. Be like Meredith.

More thank you’s... Chancler Haynes is an editing extraordinaire. Stephen Galloway and Spenser Theberge were my movement coaches and taught me how to smoke, slouch, walk and act like a toxic bro. David Lebensfeld and Grant Miller aced that VFX magic. Shout out to Rebecca Skinner for being the best executive producer a (wo)man could ask for. I can’t believe I get to work with these legends. Having a little moment over here

I want to say a massive thank you to my main team in putting this whole thing together: Jil Hardin, our producer, worked tirelessly and truly made me feel like I could do this. Joe ‘Oz’ Osborne, our excellent AD, and I have worked together for years and he’s the coolest. Rodrigo Prieto, our DP/cinematographer, is absolutely brilliant and down to earth and hilarious. Ethan Tobman created all those sets. Like, that wasn’t a real yacht. That’s how good he is.